There are many things this topic brings to mind, but the sun is out, my aging bones are warm, and I don’t feel like channeling my inner Kafka. Instead, I’ll concentrate on fictional ends, in specific the series. However sad that can be, it still isn’t the end of the world.
There are series that come naturally to an end. A series is really just a very long book, with many chapters, but certainly possessing a storytelling arc. At the end, the reader should feel like the major character developments have been completed, and the primary issues have been resolved. Since readers are part of the creative process, there may be some areas we each wish would go on or be resolved, but, overall, readers should agree that the author has little left to say.
As much as I resisted the idea that John Rebus retired and I would not have his gloomy presence to look forward to again, I agreed with Rankin that Rebus had had his run. Occasionally, a series may have an open-ended feel, but, even then, the reader should be able to imagine a conclusion either fun or satisfying. That said, I still want Rankin to try a series with Siobhan…
And then there are the series that should have ended, say five books ago. I’ll ignore these. We’ve all read them. We’ve all given up on them. Enough said.
The series I grieve over are the ones slaughtered before their time. Caroline Roe had a wonderful medieval Spanish series going with Isaac of Girona. I loved the Bak Egyptians by Lauren Haney. Too many beloved mystery series disappear without apology or explanation by the publisher. I deem this literary murder.
There is a special problem with the abrupt dropping of series when the author is still eager to continue, one that isn’t discussed too often. When readers have been jilted too many times, we grow slower to embrace new books when there is reason to fear that a series may be quickly dropped. This is not an encouraging trend.
It is hard on writers as well, although we’ll flex to put food on the table. But how can we fully invest in the slow and complex development of character if our creation may well face composting after a few books? Even when we force ourselves to find love again with another set of characters, we are still faced with an increasingly hard time convincing readers to buy our books when we cannot promise them an interesting and satisfying run.
There may be a growing number of solutions to this developing problem. This is the digital age which presents a potential upside to the slaughter of innocent series. With the advent of e-readers, self-publishing, independent presses and even downloads from independent bookseller websites, we may see the continuation of well-loved series by mid-list authors. Promotion becomes an even greater burden on the author but informed planning might cut that down. Independent bookstores are growing creative and savvy about downloads to e-readers.
Do I sense a hint of promise for the survival of favorite authors? Independent and smaller presses already pick some series up or tolerate long ones that may be profitable but won’t buy anyone a small ski resort on the profits. Dare I, as a reader, feel some optimism about ending the death penalty on favorite series?
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